Gang Of New York Inhaltsverzeichnis
Es ist das Jahr In den Five Points, einem Stadtteil von New York, herrscht ein erbitterter Krieg zwischen den Unionisten und Separatisten, in ihrem Zentrum die Gangs der einheimischen `Natives' und der irischen Immigranten. Nach 16 Jahren. Gangs of New York – Wikipedia. New York Mitte des Jahrhunderts: Zwei Männer betreten den Paradise Square. Hinter ihnen eine wogende Menge, rhythmisches Aufstampfen von Füßen. New York, im Jahre In dem berüchtigten Elendsviertel Five Points kämpfen verfeindete Banden um die Vorherrschaft. Der Fleischer. Gangs of New York. Sa | | Film im rbb. „Golden Globe“-prämiertes Meisterwerk von Martin Scorsese und der Kamera von Michael Ballhaus. New York im Jahre Im berüchtigten Viertel Five Points in Manhattan kommt es zu einer erbitterten, gnadenlos brutalen Straßenschlacht zwischen zwei. Gangs of New York () - IMDb. In , Amsterdam Vallon returns to the Five Points area of New York City seeking revenge against.
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Martin Scorsese. Alberto Grimaldi , Harvey Weinstein. Members of the Forty Thieves reportedly had quotas that required them to steal a certain amount of goods each day or face expulsion.
One of the most storied gangs of New York, the Bowery Boys were a band of lower Manhattan toughs who clashed with the Irish Five Points gangs during the s, 50s and 60s.
Unlike some of their criminal counterparts, most of the Bowery Boys dressed in elegant clothing and held legitimate employment as printers, mechanics and other apprentice tradesmen.
The Bowery Boys often acted more as a political club than a mob, and many of their brawls were with supporters of rival politicians. The gang would sometimes even station its members at polling places to intimidate voters into supporting a particular candidate.
This crew of Irish immigrants was one of the most feared gangs to emerge from Five Points, so named for its location at the intersection of five crooked, narrow, downtown streets.
Throughout the s, the Dead Rabbits excelled at robbery, pick-pocketing and brawling—particularly with their sworn enemies, the Bowery Boys.
While the Rabbits mostly dabbled in petty crime, they were also famous for the events of July 4, , when one of their street fights with the Bowery Boys turned into a bloody riot that killed a dozen people.
The Dead Rabbits supposedly began as an offshoot of another gang called the Roach Guards, but some historians have suggested the two were actually one and the same.
As their name suggests, the Daybreakers— whose leaders went by such colorful monikers as Cow-legged Sam McCarthy and Slobbery Jim —preferred to strike in the hours before dawn.
Using small rowboats, these juvenile gangsters would silently row their way alongside anchored shipping vessels. Bill then beats him and burns his cheek with a hot blade.
Going into hiding, Jenny nurses Amsterdam back to health and implores him to escape with her to San Francisco. Amsterdam, however, returns to the Five Points seeking vengeance, and announces his return by hanging a dead rabbit in Paradise Square.
Bill sends corrupt policeman Mulraney to investigate, but Amsterdam kills him and hangs his body in the square.
In retaliation, Bill has Johnny beaten and run through with a pike, leaving it to Amsterdam to end his suffering. The incident garners newspaper coverage, and Amsterdam presents Tweed with a plan to defeat Bill's influence: Tweed will back the candidacy of Monk McGinn for sheriff and Amsterdam will secure the Irish vote for Tammany.
Monk wins in a landslide the election had been rigged by the Dead Rabbits , and a humiliated Bill murders him.
McGinn's death prompts an angry Amsterdam to challenge Bill to a gang battle in Paradise Square for order, which Bill accepts.
Citywide draft riots break out just as the gangs are preparing to fight, and Union Army soldiers are deployed to control the rioters. As the rival gangs face off, cannon fire from naval ships is fired directly into Paradise Square, interrupting their battle shortly before it begins.
Between the cannons, soldiers, and rioters, many of the gang members are killed. Bill and Amsterdam face off against one another until Bill gets wounded by a piece of shrapnel.
Amsterdam then uses his father's knife to stab Bill, killing him and ending his reign at last. Before they leave, Amsterdam buries Bill in a cemetery in Brooklyn next to his father.
As Amsterdam and Jenny leave the cemetery, the final scene of the film shows the skyline changing in a time-lapse over the next hundred and forty years as modern Manhattan is built, from the Brooklyn Bridge to the World Trade Center , and the cemetery becomes overgrown and forgotten.
At the time, he had noticed there were parts of his neighborhood that were much older than the rest, including tombstones from the s in Old St.
Patrick's Cathedral , cobblestone streets and small basements located under more recent large buildings; this sparked Scorsese's curiosity about the history of the area: "I gradually realized that the Italian-Americans weren't the first ones there, that other people had been there before us.
As I began to understand this, it fascinated me. I kept wondering, how did New York look? What were the people like?
How did they walk, eat, work, dress? In , Scorsese came across Herbert Asbury 's The Gangs of New York: An Informal History of the Underworld about the city's nineteenth-century criminal underworld and found it to be a revelation.
In the portraits of the city's criminals, Scorsese saw the potential for an American epic about the battle for the modern American democracy. In , he acquired screen rights to Asbury's book; however, it took twenty years to get the production moving forward.
Difficulties arose with reproducing the monumental city scape of nineteenth century New York with the style and detail Scorsese wanted; almost nothing in New York City looked as it did in that time, and filming elsewhere was not an option.
Eventually, in , Scorsese was able to find a partnership with Harvey Weinstein , noted producer and co-chairman of Miramax Films.
Production designer Dante Ferretti recreated over a mile of mid-nineteenth century New York buildings, consisting of a five-block area of Lower Manhattan , including the Five Points slum, a section of the East River waterfront including two full-sized sailing ships, a thirty-building stretch of lower Broadway , a patrician mansion, and replicas of Tammany Hall, a church, a saloon, a Chinese theater, and a gambling casino.
Particular attention was also paid to the speech of characters, as loyalties were often revealed by their accents.
The film's voice coach, Tim Monich, resisted using a generic Irish brogue and instead focused on distinctive dialects of Ireland and Great Britain.
As DiCaprio's character was born in Ireland but raised in the United States, his accent was designed to be a blend of accents typical of the half-Americanized.
To develop the unique, lost accents of the Yankee "Nativists" such as Daniel Day-Lewis's character, Monich studied old poems, ballads, newspaper articles which sometimes imitated spoken dialect as a form of humor and the Rogue's Lexicon , a book of underworld idioms compiled by New York's police commissioner, so that his men would be able to tell what criminals were talking about.
An important piece was an wax cylinder recording of Walt Whitman reciting four lines of a poem in which he pronounced the word "Earth" as "Uth", and the "a" of "an" nasal and flat, like "ayan".
Monich concluded that native nineteenth-century New Yorkers probably sounded something like the proverbial Brooklyn cabbie of the midth century.
During the delays, noted actors such as Robert De Niro and Willem Dafoe had to leave the production due to conflicts with their other productions.
After post-production was nearly completed in , the film was delayed for over a year. The official justification was after the September 11, attacks , certain elements of the picture may have made audiences uncomfortable; the film's closing shot is a view of modern-day New York City, complete with the World Trade Center's towers , despite their having been destroyed by the attacks over a year before the film's release.
It was ultimately decided to keep the towers unaltered. Weinstein kept demanding cuts to the film's length, and some of those cuts were eventually made.
In December , Jeffrey Wells [ who? Wells reported the work print lacked narration, was about 20 minutes longer, and although it was "different than the [theatrical] version While Scorsese has stated the theatrical version is his final cut , he reportedly "passed along [the] three-hour-plus [work print] version of Gangs on tape [to friends] and confided, 'Putting aside my contractual obligation to deliver a shorter, two-hour-and-forty-minute version to Miramax , this is the version I'm happiest with,' or words to that effect.
In an interview with Roger Ebert , Scorsese clarified the real issues in the cutting of the film. Ebert notes,. His discussions with Weinstein, he said, were always about finding the length where the picture worked.
When that got to the press, it was translated into fights. Robbie Robertson supervised the soundtrack's collection of eclectic pop, folk, and neo-classical tracks.
Scorsese received both praise and criticism for historical depictions in the film. In a PBS interview for the History News Network , George Washington University professor Tyler Anbinder said that the visuals and discrimination of immigrants in the film were historically accurate, but both the amount of violence depicted and the number of Chinese, particularly female, immigrants were much more common in the film than in reality.
Poole did not come from the Five Points and was assassinated nearly a decade before the Draft Riots.
Both the fictional Bill and the real one had butcher shops, but Poole is not known to have killed anyone. Anbinder said that Scorsese's recreation of the visual environment of midth century New York City and the Five Points "couldn't have been much better".
According to Paul S. Boyer, "The period from the s to the s was a time of almost continuous disorder and turbulence among the urban poor.
The decade from — saw more than major gang wars in New York City alone, and in other cities the pattern was similar. As early as , Mayor Philip Hone said: "This city is infested by gangs of hardened wretches" who "patrol the streets making night hideous and insulting all who are not strong enough to defend themselves.
The effect is to freeze ethno-cultural rivalries over the course of three decades and portray them as irrational ancestral hatreds unaltered by demographic shifts, economic cycles and political realignments.
In the film, the Draft Riots are depicted mostly as acts of destruction but there was considerable violence during that week in July , which resulted in more than one hundred deaths, mostly freed African-Americans.
They were especially targeted by the Irish, in part because of fears of job competition that more freed slaves would cause in the city.
The film references the infamous Tweed Courthouse , as "Boss" Tweed refers to plans for the structure as being "modest" and "economical".
In the film, Chinese Americans were common enough in the city to have their own community and public venues. Although Chinese people migrated to America as early as the s, significant Chinese migration to New York City did not begin until , the time when the transcontinental railroad was completed.
The Chinese theater on Pell St. The original target release date was December 21, , in time for the Academy Awards but the production overshot that goal as Scorsese was still filming.
Gang Of New York Inhaltsverzeichnis Video
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