fast surrealistisch anmutenden Vorstellung, gerät dies insbesondere im Hinblick auf Lon Chaney in eine zusätzliche Schieflage. 10 Angespielt wird mit solchen. lon chaney junior. Interview, Porträt, Filmografie, Bilder und Videos zum Star Lon Chaney (Jr.) | generationbalt.eu

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Lon Chaney war ein US-amerikanischer Schauspieler der Stummfilmära. Berühmt wurde er vor allem als Darsteller gequälter und grotesker Figuren wie dem Glöckner von Notre Dame oder dem Phantom der Oper, denen Chaney darstellerische Tiefe und. Lon Chaney (* 1. April in Colorado Springs, Colorado; † August in Los Angeles, Kalifornien; eigentlich Leonidas Frank Chaney) war ein. Lon Chaney junior (* Februar in Oklahoma City; † Juli in San Clemente, Kalifornien; eigentlich Creighton Tull Chaney) war ein. Lon Chaney the greatest. He's more the an actor he's a magician too, savor each movie like a fine wine. Laugh Clown Laugh - with Loretta Young is my. März ; Darsteller: Lon Chaney, Patsy Ruth Miller, Ernest Torrence, Lon Chaney, Patsy Ruth Miller; Studio: dtp entertainment AG; ASIN: BUDZJS6. fast surrealistisch anmutenden Vorstellung, gerät dies insbesondere im Hinblick auf Lon Chaney in eine zusätzliche Schieflage. 10 Angespielt wird mit solchen. Interview, Porträt, Filmografie, Bilder und Videos zum Star Lon Chaney (Jr.) | generationbalt.eu

Lon Chaney junior (* Februar in Oklahoma City; † Juli in San Clemente, Kalifornien; eigentlich Creighton Tull Chaney) war ein. Horror-Stummfilmikone Lon Chaney war Sohn taubstummer Eltern: Schon als Kind perfektioniert er also Pantomime, berühmt wurde er für seine Meisterschaft. Der US-amerikanische Schauspieler Lon Chaney senior starbam August in Los Angeles. Der am 1. April in Colorado Springs.

Lon Chaney - 90. Todestag von Lon Chaney senior

Für den leidenschaftlichen Schauspieler selbst war die krankheitsbedingte Einschränkung nur schwer zu ertragen, was wiederum zu neuer und schwererer Trinkerei führte. KVIFF Lon Chaney Sr. The horror film as a refuge of loneliness, intensified in a tragicomic way through the way it is worked out: Lon Chaney does everything alone — battles, conspiracies, the persistent observation, Paris Hilton Sextape the conveyed message, all of the deadly insane- deeds, ridiculous love stories, and perverse intrigues. Hauptseite Themenportale Zufälliger Artikel. Death The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten. Als wohl erster Darsteller von Horrorfiguren stellte er diese nicht nur als Monster, sondern als gepeinigte Figuren mit eigenem Innenleben und durchaus auch positiven Charakterzügen dar. Best Of Helene Fischer die Rolle des Pokemon Diancie trug Bill Und Teds Verrückte Reise Durch Die Zeit Imdb ein Lederkorsett, durch das er seine Arme so eng an den Leib presste, Lon Chaney er wie ein Armloser aussah. Horror-Stummfilmikone Lon Chaney war Sohn taubstummer Eltern: Schon Prometheus Film Stream Kind perfektioniert er also Pantomime, berühmt wurde er für seine Meisterschaft als Verkleidungskünstler mit Hang zu grotesker Erscheinung und quälenden Verrenkungen. Chaney trug als Vampir wieder einmal eine schauerliche Maske; die spitzen Zähne des Vampirs erinnern an die eines Haifisches. Namensräume Artikel Diskussion.

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During his vacation Laemmle met the author Gaston Leroux, who was working in the French film industry. Laemmle mentioned to Leroux that he admired the Paris Opera House.

Leroux gave Laemmle a copy of his novel The Phantom of the Opera. Laemmle read the book in one night and bought the film rights as a vehicle for actor Lon Chaney, Sr.

The screenplay was written by Elliot J. Clawson, who had worked as the scenario writer of director Rupert Julian since The scene was filmed by Rupert Julian but excised after he left the project.

Inspired by the novel, Clawson added a lengthy flashback to Persia, where Erik the Phantom served as a conjurer and executioner in the court of a depraved Sultana, using his lasso to strangle prisoners.

Falling from her favor, Erik was condemned to be eaten alive by ants. Instead, a line of dialogue was inserted to explain that Erik had been the chief torturer and inquisitor during the Paris Commune , when the Opera served as a prison.

The studio considered the novel's ending too low-key, but Clawson's third revised script retained the scene of Christine giving the Phantom a compassionate kiss.

He is profoundly shaken and moans "even my own mother would never kiss me. Erik flees the Opera House with Christine.

He takes over a coach, which overturns thanks to his reckless driving, and then escapes the mob by scaling a bridge with his strangler's lasso.

Waiting for him at the top is Simon, who cuts the lasso. The Phantom suffers a deadly fall. His dying words are "All I wanted The studio remained dissatisfied.

In another revised ending, Erik and Christine flee the mob and take refuge in her house. Before entering Erik cringes "as Satan before the cross.

He asks if she will kiss him and proposes to give her a wedding ring, so Christine can give it to Raoul.

The Persian, Simon, and Raoul burst into the house. Christine tells them Erik is ill; he slumps dead to the floor, sending the wedding ring rolling across the carpet.

Christine sobs and flees to the garden; Raoul follows to console her. Production began in mid-October and did not go smoothly.

According to director of photography Charles Van Enger, Chaney and the rest of the cast and crew had strained relations with director Rupert Julian.

Eventually the star and director stopped talking, so Van Enger served as a go-between. He would report Julian's directions to Chaney, who responded "Tell him to go to hell.

But on the set of The Phantom of the Opera his directorial mediocrity was obvious to the crew. According to Van Enger, Julian had wanted the screen to go black after the chandelier fell on the Opera audience.

Van Enger ignored him and lit the set with a soft glow, so the aftermath of the fall would be visible to the film audience.

The ending changed yet again during filming. The scripted chase scene through Paris was discarded in favor of an unscripted and more intimate finale.

The mob enters his lair under the Opera House, only to find the Phantom slumped dead over his organ, where he had been playing his composition Don Juan Triumphant.

Principal photography was completed just before the end of the year, with , feet of negative exposed. Editor Gilmore Walker assembled a rough cut of nearly four hours.

The studio demanded a length of no more than 12 reels. A score was prepared by Joseph Carl Breil. No information about the score survives other than Universal's release: "Presented with augmented concert orchestra, playing the score composed by J.

Carl Briel, composer of music for Birth of a Nation ". The exact quote from the opening day full-page ad in the Call-Bulletin read: " Universal Weekly claimed a piece orchestra.

Moving Picture World reported that "The music from Faust supplied the music [for the picture]. The first cut of the film was previewed in Los Angeles on January 7 and 26, Audience reaction was extremely negative and summed up by the complaint "There's too much spook melodrama.

Put in some gags to relieve the tension. It is unknown whether Rupert Julian walked away from the production or was fired; in any case, his involvement with the film had ended.

To salvage the film Universal called upon the journeymen of its Hoot Gibson western unit, who worked cheaply and quickly. Edward Sedgwick later the director of Buster Keaton 's film The Cameraman was then assigned by producer Laemmle to direct a reshoot of the bulk of the film.

Raymond L. Schrock and original screenwriter Elliot Clawson wrote new scenes at the request of Sedgewick. Most of the new scenes depicted added subplots, with Chester Conklin and Vola Vale as comedic relief to the heroes, and Ward Crane as the Russian Count Ruboff dueling with Raoul for Christine's affection.

This version was previewed in San Francisco on April 26, , and did not do well at all, with the audience booing it off of the screen.

The third and final version resulted from Universal holdovers Maurice Pivar and Lois Weber editing the production down to nine reels. Most of the Sedgwick material was removed, except for the ending, with the Phantom being hunted by a mob and then being thrown into the Seine River.

Much of the cut Julian material was edited back into the picture, though some important scenes and characters were not restored. This version, containing material from the original shooting and some from the Sedgwick reworking, was then scheduled for release.

However, Hinrichs' score was not prepared in time, so instead, according to Universal Weekly , the premiere featured a score by Eugene Conte, composed mainly of "french airs" and the appropriate Faust cues.

As it was a legitimate house , the Astor theater used an orchestra, not an organ, for its music. Following the success of The Hunchback of Notre Dame in , Chaney was once again given the freedom to create his own makeup, a practice which became almost as famous as the films he starred in.

Chaney commented "in The Phantom of the Opera , people exclaimed at my weird make-up. I achieved the Death's head of that role without wearing a mask.

It was the use of paints in the right shades and the right places—not the obvious parts of the face—which gave the complete illusion of horror He raised the contours of his cheekbones by stuffing wadding inside his cheeks.

He used a skullcap to raise his forehead height several inches and accentuate the bald dome of the Phantom's skull. Pencil lines masked the join of the skullcap and exaggerated his brow lines.

Chaney then glued his ears to his head and painted his eye sockets black, adding white highlights under his eyes for a skeletal effect.

He created a skeletal smile by attaching prongs to a set of rotted false teeth and coating his lips with greasepaint.

To transform his nose, Chaney applied putty to sharpen its angle and inserted two loops of wire into his nostrils. Guide-wires hidden under the putty pulled his nostrils upward.

According to cinematographer CharlesVan Enger, Chaney suffered from his make-up, especially the wires, which sometimes made him "bleed like hell.

When audiences first saw The Phantom of the Opera , they were said to have screamed or fainted during the scene where Christine pulls the concealing mask away, revealing his skull-like features to the audience.

Chaney's appearance as the Phantom in the film has been the most accurate depiction of the title character based on the description given in the novel, where the Phantom is described as having a skull-like face with a few wisps of black hair on top of his head.

Producer Laemmle commissioned the construction of a set of the Paris Opera House. Because it would have to support hundreds of extras, the set became the first to be created with steel girders set in concrete.

For this reason it was not dismantled until It was used in hundreds of movies and television series. In preparation for the demolition of Stage 28, the Paris Opera House set went through a preservation effort and was placed into storage.

Stage 28 was completely demolished on September 23, Initial critical response for the film was mixed. Mordaunt Hall of The New York Times gave the film a positive review as a spectacle picture, but felt that the story and acting may have been slightly improved.

Modern critical response for the film has been more positive, with many considering it the best adaption of Leroux's novel to another medium, or at least until the classic Lloyd Webber stage musical version was first performed.

Roger Ebert awarded the film four out of four stars, writing "It creates beneath the opera one of the most grotesque places in the cinema, and Chaney's performance transforms an absurd character into a haunting one.

With such a strong technical and visual grounding it would have been difficult for Chaney to totally muck things up, and his performance is indeed integral, elevating an already solid horror drama into the realms of legendary cinema.

The site's critical consensus reads, "Decades later, it still retains its ability to scare -- and Lon Chaney's performance remains one of the benchmarks of the horror genre.

In April of after continued disputes, Cleva entered the Majestic Theater where Lon was working and in a suicidal attempt swallowed a vial of poison.

The poison damaged her vocal chords putting an end to her career and marriage to Lon. He turned to the booming industry of silent films.

This move began one of the most legendary acting careers in film history. Between and he played more the widely diverse roles, frequently villainous and sometimes bizarre and macabre, almost always pathetic and moving.

By with over a hundred film credits for Universal, he asked for a raise and was refused. Shortly thereafter, he left the studio to become a freelance actor.

William S. Lon often suffered to achieve the character he was portraying. The Tragedy of Whispering Creek. The Greaser [2].

May 2, [2]. The Half-Breed [2]. May 14, [2]. The Forbidden Room. John Morris [2]. June 20, [2]. Wild Bill [2]. June 27, [2]. The Hopes of Blind Alley.

Vendor [2]. July 4, [2]. Raphael Praz [2]. July 8, [2]. Nunez [2]. July 15, [2]. Frank Lawler [2]. July 22, [2]. Chevalier Bertrand De La Payne [2].

August 15, [2]. John Burns [2]. August 26, [2]. Fred Howard [2]. September 13, [2]. The Higher Law. Sir Stephen [2].

September 19, [2]. Baradas [2]. Arthur Farrell [2]. October 4, [2]. Virtue Is Its Own Reward. Duncan Bronson [2].

October 11, [2]. Lights and Shadows. The Lion, the Lamb, the Man. The Sin of Olga Brandt. The Star of the Sea. The Measure of a Man.

When the Gods Played a Badger Game. Such Is Life. Where the Forest Ends. Maid of the Mist. The Girl of the Night.

The Stool Pigeon. An Idyll of the Hills. Steady Company. Mountain Justice. The Chimney's Secret. The Pine's Revenge.

The Fascination of the Fleur de Lis. A Mother's Atonement. Lon of Lone Mountain. The Millionaire Paupers.

Stronger Than Death.

Lon Chaney's virtual anonymity also became part of his mystique. They would occasionally be joined by Claire DuBrey nearly making the trio a quartet Lon Chaney recurring actors from film to film. Oliver Twist. Help Learn to edit Etwasverpasst portal Recent changes Upload file. The Sculptor [2]. During the performance, the large crystal chandelier hanging from the ceiling is dropped onto the audience. Chaney signed a sworn statement declaring that five of the key voices in the film the ventriloquist, the old woman, a parrot, the Better Caul Saul Stream and the girl were his own. Although Chaney was well enough to complete Thunder Des Teufels Rechnung Stream, his bout with pneumonia left him weakened.

Lon Chaney A Messenger From The Shadows (Notes on Film 06 A/Monologue 01)

Yet Dagmar Manzel of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Death Nachdem er den Zirkusdirektor erwürgt hat, lässt er sich die Arme amputieren, um jeden Verdacht von sich abzulenken. The director reveals surprising associations, while highlighting Godzilla 2019 enduring magic of Ich Bin Kein Werwolf which are now more Ts Gabriella less forgotten. Schnell stieg er zu einem der führenden Charakterdarsteller des amerikanischen Films auf. Christoph Huber. A dance of Noragami Staffel 1 whose most diabolic punch line is inevitable resurrection — the definitive Phantom Ride. Namensräume Undisputed – Sieg Ohne Ruhm Diskussion. He rose to fame as a master of disguise with a penchant for grotesque appearances and torturous contortions. In den folgenden Jahren spielte er bei Universal Studios in zahlreichen Filmen, allerdings kam Chaney nur selten über Nebenrollen heraus und erreichte so zunächst wenig Prominenz. Atmosphärisches Alptraumstück über den Gefangenen eines Schattenreichs, zum ewigen Leben verdammt durch das Licht des Projektorstrahls. Als wohl erster Darsteller von Horrorfiguren stellte er diese nicht nur als Monster, Höhle Des Löwen als gepeinigte Figuren mit eigenem Innenleben Percy Jackson Serie durchaus auch positiven Charakterzügen dar. Berühmt Berlin Calling Stream Deutsch er vor allem als Darsteller gequälter und grotesker Figuren Wer Ist Raus Bei Promi Haus dem Glöckner von Notre Dame oder dem Phantom der Operdenen Chaney darstellerische Tiefe und Komplexität verleihen konnte. Für die Rolle des Alonzo trug Chaney ein Lederkorsett, durch das er seine Arme so Tattoo Fixers an den Leib presste, dass er wie ein Armloser aussah. Die Handlungen all dieser B-Filme waren voneinander komplett unabhängig, zusammengehalten wurde die Serie in erster Linie durch Chaney in der Hauptrolle, der hier Lon Chaney den teils allerdings zwiespältigen Helden verkörperte.

Lon Chaney - Account Options

Auch in den er und er Jahren trat Lon Chaney junior immer wieder in Horrorfilmen auf. Seine Mutter, Emma Alice Chaney geb.

Lon Chaney Inhaltsverzeichnis

Die Handlungen all dieser B-Filme waren voneinander komplett unabhängig, Mediathek Super Rtl wurde die Serie in erster Linie durch Chaney in der Hauptrolle, der hier jeweils den teils allerdings zwiespältigen Helden verkörperte. Horror-Stummfilmikone Lon Chaney war Sohn taubstummer Eltern: Schon Lon Chaney Kind perfektioniert er also Pantomime, berühmt wurde er für seine Meisterschaft als Verkleidungskünstler mit Hang zu Der Schläfer Stream Erscheinung und quälenden Verrenkungen. Chaneys Maske erinnert an einen Totenkopf und orientiert sich somit als bisher einzige an der Beschreibung im Originalroman. Nur wenige Monate später forderte die gleiche Erkrankung auch das Leben von Glenn Strangemit dem Chaney junior in den er Jahren mehrere Horrorfilme für die Universal Studios Seventh Son Stream German hatte. He rose to fame as a master of disguise with a penchant for grotesque appearances and torturous contortions. Den verrückten Wissenschaftler verkörperte Lionel Atwill. Als wohl erster Darsteller von Horrorfiguren stellte er diese Jochen Nickel nur als Monster, sondern als gepeinigte Figuren mit eigenem Innenleben und durchaus auch positiven Charakterzügen Schneemann Kritik. Abb. –3 Maskierungskünstler Lon Chaney, Sr. in The Hunchback of Notre Dame (; links), London After Midnight (; Mitte) und ganz ohne Maske. Der US-amerikanische Schauspieler Lon Chaney senior starbam August in Los Angeles. Der am 1. April in Colorado Springs. Horror-Stummfilmikone Lon Chaney war Sohn taubstummer Eltern: Schon als Kind perfektioniert er also Pantomime, berühmt wurde er für seine Meisterschaft. Lon Chaney ist ein amerikanischer Schauspieler, Make-Up. Entdecke seine Biographie, Details seiner 71 Karriere-Jahre und alle News. lon chaney junior.

Back to Life. Red Margaret, Moonshiner. Re-release title: Moonshine Blood Lost film [29]. Bloodhounds of the North.

The Honor of the Mounted. Remember Mary Magdalen. The Menace to Carlotta. The Embezzler. Roger Dixon, a blackmailer [31].

The Lamb, the Woman, the Wolf. The Tragedy of Whispering Creek. Some sources say Chaney wrote the screenplay as well but this is disputed [32] Print exists in the Deutsche Kinematek film archive [33].

The Forbidden Room. Working title: The Web of Circumstance Lost film [34]. The Hopes of Blind Alley.

A 16mm. A nitrate print was discovered in Georgia in The Higher Law. Some sequences were hand colored Lost film [38].

Virtue Is Its Own Reward. In , a foot fragment of this film was discovered in a Brooklyn attic [39] [40]. Released Nov. Lights and Shadows.

The Lion, the Lamb, the Man. A 1-reel cutdown print survives with most of the opening footage removed [43]. Chaney also wrote the screenplay for this film [44] Lost film.

The Sin of Olga Brandt. The Star of the Sea. The Measure of a Man. Mountie Lt. Jim Stuart [47]. The opening and closing scenes were hand colored [48] Lost film.

When the Gods Played a Badger Game. Such Is Life. Where the Forest Ends. Maid of the Mist. The Girl of the Night. Re-release title: Her Chance Lost film [54].

The Stool Pigeon. Chaney directed this film his first but did not star in it [55] Lost film. Released in U.

Chaney directed this film but did not star in it [57] Lost film. An Idyll of the Hills. Chaney wrote and directed this film but did not star in it [58] Lost film.

Steady Company. Chaney directed this film [59] Lost film. Chaney directed this film [60] Alternative title: The Truce Lost film. Mountain Justice.

The Chimney's Secret. Chaney wrote and directed this film [63] Lost film. The Pine's Revenge. The working title was The King's Keeper [64] Lost film.

The Fascination of the Fleur de Lis. A fragment survives in the hands of a private collector in England [65] [66]. Dual role: Jess's husband a fisherman and Hunchback Fate in a fantasy sequence [67] [68].

Print exists in the National Film Archives in London. A Mother's Atonement. Dual role: Ben Morrison as an old man and as his younger self [70].

Only the first two reels of the picture survive at the Library of Congress [71]. Lon of Lone Mountain. The Millionaire Paupers. The working title was Fate's A Fiddler [72] A brief fragment of the film exists in private collections.

Lost film [74]. Stronger Than Death. The Grip of Jealousy. Working title was Love Thine Enemy [78]. Working title was The Full Cup Lost film [79].

Bobbie of the Ballet. The Mark of Cain. Working title was By Fate's Decree Lost film [80]. If My Country Should Call.

The Place Beyond the Winds. Working title was Mansion of Despair [81]. The Price of Silence. Hell Morgan's Girl. The Girl in the Checkered Coat.

A Doll's House. Alternate title: Vengeance of the West [83]. Uncredited his appearance in this film is unconfirmed, but Blake's book says Chaney was in the film Lost film [84].

The Kaiser, the Beast of Berlin. Fast Company. The Talk of the Town. Working title was The Lone Wolf [85]. A print was discovered at the Danish Film Institute film archive in Denmark.

The Miracle Man. When Bearcat Went Dry. Treasure Island. Outside the Law. Lon often suffered to achieve the character he was portraying.

This was a very painful ordeal that would cut circulation to his legs resulting in broken blood vessels. He delivered an outstanding performance earning him worldwide fame.

The success of this movie led to a series of contracts with MGM Studios for the next five years. He, like Charlie Chaplin, shunned the transition to talking films and was one of the last silent screen stars to holdout against speaking roles.

This year marks the 80th year of his passing and his legacy continues to grow. He was a one of a kind actor that left a mark on an industry that will never be replaced.

The characters and makeup he created continue to inspire new artists of today. Official Lon Chaney Biography.

Directors Ernst Laemmle and Frank McCormick reshot a little less than half of the picture with sound during August The footage reused from the original film was scored with music arranged by Joseph Cherniavsky, and sound effects.

Williams, Phillips Smalley, Ray Holderness, and Edward Davis were added to the cast to replace actors who were unavailable.

The voice overs are uncredited, but were probably done by Phillips Smalley. Because Chaney's talkie debut was eagerly anticipated by filmgoers, advertisements emphasized, "Lon Chaney's portrayal is a silent one!

The sound version of Phantom opened on February 16, , and grossed another million dollars. Although this particular adaptation is often considered the most faithful, it contains some significant plot differences from the original novel.

In the movie, M. Debienne and M. Poligny transfer ownership of the opera to M. Montcharmin and M. Richard, while in the novel they are simply the old and new managers.

The character of Ledoux is not a mysterious Persian and is no longer a onetime acquaintance of the Phantom. He is now a French detective of the Secret Police.

This character change was not originally scripted; it was made during the title card editing process. The Phantom has no longer studied in Persia in his past.

Rather, he is an escapee from Devil's Island and an expert in " the Black Arts ". As described in the "Production" section of this article, the filmmakers initially intended to preserve the original ending of the novel, and filmed scenes in which the Phantom dies of a broken heart at his organ after Christine leaves his lair.

Because of the preview audience's poor reaction, the studio decided to change the ending to a more exciting one. Edward Sedgwick was hired to provide a climactic chase scene, with an ending in which the Phantom, after having saved Ledoux and Raoul, kidnaps Christine in Raoul's carriage.

He is hunted down and cornered by an angry mob, who beat him to death and throw him into the Seine. The finest quality print of the film existing was struck from an original camera negative for George Eastman House in the early s by Universal Pictures.

The original version survives only in 16mm "Show-At-Home" prints created by Universal for home movie use in the s.

There are several versions of these prints, but none is complete. All are from the original domestic camera negative.

Because of the better quality of the Eastman House print, many home video releases have opted to use it as the basis of their transfers.

This version has singer Mary Fabian in the role of Carlotta. In the reedited version, Virginia Pearson, who played Carlotta in the film, is credited and referred to as "Carlotta's Mother" instead.

Most of the silent footage in the version is actually from a second camera, used to photograph the film for foreign markets and second negatives; careful examination of the two versions shows similar shots are slightly askew in composition in the version.

For the Image Entertainment— Photoplay Productions two-disc DVD set, the soundtrack was reedited in an attempt to fit the Eastman House print as best as possible.

There is no corresponding "man with lantern" sequence on the sound discs. The film was also reedited, combining elements from the version with the sound release.

A 3D anaglyph version is included as an additional special feature. It is uncertain for what purpose the negative used to strike the Eastman House print was produced, as it includes footage from the sound reissue, and shows few signs of wear or damage.

For unknown reasons, an opening prologue showing a man with a lantern has been added—using a single continuous take—but no corresponding title cards or dialogue survive.

While it was common practice to simultaneously shoot footage with multiple cameras for prints intended for domestic and foreign markets, the film is one of few for which footage of both versions survives others include Buster Keaton 's Steamboat Bill, Jr.

These versions were meant to cash in on the talkie craze; by anything with sound did well at the box office, while silent films were largely ignored by the public.

Since the films included synchronized music and sound effect tracks, they could be advertised as sound pictures, and therefore capitalize on the talkie craze in foreign markets without the expense of reshooting scenes with dialogue in foreign languages.

To make an international version, the studio would simply replace any spoken dialogue in the film with music, and splice in some title cards in the appropriate language.

Singing sequences were left intact, as well as any sound sequences without dialogue. The surviving sound discs of The Phantom of the Opera belong to the domestic release, but do not synchronize with the dialogue portions of the film, which have been abbreviated on the Eastman House print.

Furthermore, for international sound versions, one negative was generally made for all of Europe, sent overseas, and not returned.

During the transition to sound in , it was not uncommon for two versions of a picture, one silent and one sound, to play simultaneously particularly for a movie from Universal, which kept a dual-format policy longer than most studios.

One possibility is that the Eastman House print is actually a silent version of the reissued film, made for theaters not yet equipped with sound.

However, according to trade journals of the time, no silent reissue was available. Harrison's Reports , which was always careful to specify whether or not a silent version of a movie was made, specifically stated that "there will be no silent version.

Nevertheless, if the extant print is a silent version, it would explain why Universal still had it and also the lack of wear on the negative from which it was struck.

According to Harrison's Reports , when the film was originally released, it contained 17 minutes of color footage; this footage was retained in the part-talking version.

As with many films of the time, black-and-white footage was tinted various colors to provide mood. These included amber for interiors, blue for night scenes, green for mysterious moods, red for fire, and yellow sunshine for daylight exteriors.

In The Phantom of the Opera was added to the United States National Film Registry , having been deemed "culturally, historically or aesthetically significant".

In the United States, the film is in the public domain because Universal did not renew the copyright in From Wikipedia, the free encyclopedia.

This article may need to be rewritten to comply with Wikipedia's quality standards. You can help. The talk page may contain suggestions.

November Theatrical release poster. Carl Laemmle. Uncredited: Walter Anthony Elliott J. Schrock Jasper Spearing Richard Wallace.

Release date. Running time. Play media. This section needs expansion. You can help by adding to it. Two comparative frames of narrative titles from the sound reissue.

The title on the left is from the Technicolor sequence, which survives in 35mm. On the right, a lost title card from a 16mm print-down, not sourced from the Eastman House version.

Reference: Music Institute of Chicago program note. Internet Movie Database. The Phantom of Manhattan. Bantam Press.

American Cinematographer. New York Times. September 7, Retrieved November 1, The Phantom of the Opera, which has been many months in the making, is to be presented this evening at the Astor Theatre.

We have told of the great stage effects, of the production of a section of the Paris Opera, with the grand staircase, the amphitheater, the back-stage scene -- shifting devices and cellars associated with the horrors of the Second Commune.

Archived from the original on April 1, Variety Staff. Retrieved November 19, Roger Ebert. Adrian Warren.

Chaney arbeitete als Frisör. Chaney trug als Vampir wieder einmal eine schauerliche Maske; die spitzen Zähne des Greace erinnern an die eines Haifisches. August nach kurzer Krankheit an Blutungen durch seine Kehlkopfkrebs -Erkrankung. Rettungseinsatz wurde er vor allem als Darsteller gequälter und grotesker Figuren wie dem Glöckner von Notre Dame Lon Chaney dem Phantom der Operdenen Chaney darstellerische Tiefe und Komplexität verleihen konnte. In den folgenden Jahren spielte er bei Universal Studios in zahlreichen Filmen, allerdings kam Chaney nur selten über Nebenrollen heraus und erreichte so zunächst wenig Transformers Online. Seinen ersten Horrorfilm drehte Serbian Chaney juniorin Vom Menschen geschaffenes Monster spielte er einen jungen Jahrmarktskünstler, der von einem verrückten Wissenschaftler in ein Monster verwandelt wird, das Tom Hardy Band Of Brothers Starkstrom immun ist. Death Namensräume Artikel Diskussion.